Canada and Beyond -- Vol. 01, n. 1-2 (2011)

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By Issue Date Authors Titles Subjects Unesco subjects Project ID

Todos los documentos están protegidos por derechos de autor y sujetos a la licencia Creative Commons

: Reconocimiento / Uso no comercial / Obra no derivada.

Recent Submissions

Beyond the Foreground: Ann-Marie MacDonald’s Prose

Williams, Jocelyn (Universidad de Huelva, 2011)
Towards a New Canadianness: Re(-)Membering Canada in Lawrence Hill’s Any Known Blood (1997) and David Chariandy’s Soucouyant (2007)

Mergeai, Mathilde (Universidad de Huelva, 2011)
Memento Mori: Pushing Past the “Dead Queer” Stereotype in Fiction about Suicide

Mayr, Suzette (Universidad de Huelva, 2011)
Reunion: an Albertan Revenge Comedy

Markotic, Nicole (Universidad de Huelva, 2011)
Still Lifes: The Extreme and the Trivial in Lisa Moore’s Novel Alligator

Hernáez, María Jesús (Universidad de Huelva, 2011)
How much is that big sign on the window? Ron Terada's Translations

Havelda, John (Universidad de Huelva, 2011)

Browse by

By Issue Date Authors Titles Subjects Unesco subjects Project ID

Todos los documentos están protegidos por derechos de autor y sujetos a la licencia Creative Commons

: Reconocimiento / Uso no comercial / Obra no derivada.

Recent Submissions

Beyond the Foreground: Ann-Marie MacDonald’s Prose

Williams, Jocelyn (Universidad de Huelva, 2011)
Towards a New Canadianness: Re(-)Membering Canada in Lawrence Hill’s Any Known Blood (1997) and David Chariandy’s Soucouyant (2007)

Mergeai, Mathilde (Universidad de Huelva, 2011)
Memento Mori: Pushing Past the “Dead Queer” Stereotype in Fiction about Suicide

Mayr, Suzette (Universidad de Huelva, 2011)
Reunion: an Albertan Revenge Comedy

Markotic, Nicole (Universidad de Huelva, 2011)
Still Lifes: The Extreme and the Trivial in Lisa Moore’s Novel Alligator

Hernáez, María Jesús (Universidad de Huelva, 2011)
How much is that big sign on the window? Ron Terada's Translations

Havelda, John (Universidad de Huelva, 2011)