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dc.contributor.authorCastro, Eva
dc.date.accessioned2009-11-30T11:06:51Z
dc.date.available2009-11-30T11:06:51Z
dc.date.issued1998
dc.identifier.urihttp://hdl.handle.net/10272/1746
dc.description.abstractThis essay presents a new view of the two poems by Saint Eulalia found in the famous Saint Amand manuscript, today in the collections of the Valenciennes Library. Both poems are of unusual interest: the first, written in French, constitutes the first vernacular poem conserved; the second, composed in Latin, raises questions about literary genre. The comparative study to follow emphasizes a similarity in the two poems' technique and determines their authorship. Assuming that the poems date from the last third of the ninth century, the essay establishes, in addition, a relationship between Saint Eulalia's writing and the larger poetical and musical revolution then taking place in the region of the old French kingdom delimited by the Jumiéges, Réomé, and Saint Amand abbeys.en_US
dc.language.isospaen_US
dc.publisherUniversidad de Huelva
dc.rightsAtribución-NoComercial-SinDerivadas 3.0 España
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/
dc.titleLa técnica compositiva en las cantinelas de Santa Eulalia en latín y francés : estudio comparativoen_US
dc.typeinfo:eu-repo/semantics/articleen_US
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess


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