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dc.contributor.authorGutiérrez Hermosa, Luisa María
dc.date.accessioned2009-11-24T09:10:53Z
dc.date.available2009-11-24T09:10:53Z
dc.date.issued1997
dc.identifier.urihttp://hdl.handle.net/10272/1720
dc.description.abstractThe theory of the short novellas in Spain develops, as in Italy, at the margins of the poetic doctrine. However one may speak of a theory of the genre from two points of view: on the one hand from its detachment from poetics, and on the other, from its relationships with theater. Lugo y Davila's fruitless attempt to adapt the genre to the precepts of Aristotle shows the need to consider it apart from neoaristotelism. This relationship with theater, nevertheless, allows us to speak about its dramatic structure, which is to be found both in theory and practice. Thus, a peculiar new art of making short novellas,. is shaped its fundamental characteristic being a distance from any other way of speculating about literature.en_US
dc.language.isospaen_US
dc.publisherUniversidad de Huelva
dc.rightsAtribución-NoComercial-SinDerivadas 3.0 España
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/
dc.titleLa constitución de un "arte nuevo de hacer novelas" : apuntes a una teoría de la novela corta en el Siglo de Oroen_US
dc.typeinfo:eu-repo/semantics/articleen_US
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess


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Atribución-NoComercial-SinDerivadas 3.0 España
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