Visualizar Canada and Beyond -- Vol. 04 (2014) por fecha de publicación

Mostrando ítems 1-5 de 5

Embodying the Global Metropolis: Tessa McWatt's This Body and Out of My Skin

Rosenthal, Caroline (Universidad de Huelva, 2014)
“Through a glass, darkly”: The metaphor of the lens in public discussions about the Canadian Museum for Human Rights

Lynn Struch, Joanne (Universidad de Huelva, 2014)
From "Sisters" to "Comadres": Translating and Transculturating Tomson Highway's The Rez Sisters

Somacarrera, Pilar (Universidad de Huelva, 2014)
Old and New Spaces: Imagining Exclusion and Inclusion in Austin Clarke’s “Four Stations in His Circle” and Shani Mootoo’s “Out on Main Street”

Radu, Anca-Raluca (Universidad de Huelva, 2014)
Taking Vimy Ridge: Jane Urquhart's The Stone Carvers and Canada as "Warrior Nation"

Wyile, Herb (Universidad de Huelva, 2014)

Mostrando ítems 1-5 de 5

Embodying the Global Metropolis: Tessa McWatt's This Body and Out of My Skin

Rosenthal, Caroline (Universidad de Huelva, 2014)
“Through a glass, darkly”: The metaphor of the lens in public discussions about the Canadian Museum for Human Rights

Lynn Struch, Joanne (Universidad de Huelva, 2014)
From "Sisters" to "Comadres": Translating and Transculturating Tomson Highway's The Rez Sisters

Somacarrera, Pilar (Universidad de Huelva, 2014)
Old and New Spaces: Imagining Exclusion and Inclusion in Austin Clarke’s “Four Stations in His Circle” and Shani Mootoo’s “Out on Main Street”

Radu, Anca-Raluca (Universidad de Huelva, 2014)
Taking Vimy Ridge: Jane Urquhart's The Stone Carvers and Canada as "Warrior Nation"

Wyile, Herb (Universidad de Huelva, 2014)