• The Brass Bowl 

  Idriss, Dania (Universidad de Huelva, 2020)

  

• Reseña del libro de Weinstock, Jeffrey Andrew. Scare Tactics: Supernatural Fiction by American Women. Fordham UP, 2008 

  Mayr, Suzette (Universidad de Huelva, 2020)

  

• Living in ‘The Dish With One Spoon’: Transdescendence and Convivance in Daniel Coleman’s Yardwork: A Biography of an Urban Place 

  Omhovère, Claire (Universidad de Huelva, 2020)

  The subtitle of Daniel Coleman’s third book of non-fiction acknowledges in place the existence of a form of life and agency that the essay explores in exquisite detail. The living under scrutiny begins in the yard at the ...

  

• The Vibrancy of Materiality and Otherwise-Than-Place in Susan Gillis’s Obelisk 

  Martínez Serrano, Leonor María (Universidad de Huelva, 2020)

  This article deals with Obelisk (2017), a poetry collection by Canadian Susan Gillis (b. 1959) concerned with the impact of human action on Earth in a myriad of forms. Drawing on a wide spectrum of poets, thinkers and ...

  

• Margaret Atwood´s Grace Marks as an Outcast: Rewriting Nathaniel Hawthorne´s Hester Prynne 

  López Ramírez, Manuela (Universidad de Huelva, 2020)

  Margaret Atwood’s Alias Grace rewrites Nathaniel Hawthorne’s The Scarlet Letter. Both Grace Marks and Hester Prynne epitomize women’s oppression by the patriarchal system, and demonstrate how they challenge and defy it. ...

  

• Home of the Griffins 

  Jacobsen, Mikka (Universidad de Huelva, 2020)

  

• The Disappearing Island 

  Rugunda, Marjorie (Universidad de Huelva, 2020)

  

• What might this be 

  Betts, Gregory (Universidad de Huelva, 2019)

  Two poems exploring the space and amorphous movements of noise, how emptiness can become a content like a Rorschach

  

• “Want to be a superior man?”: The Production Chinese Canadian Masculinities in Paul Yee’s Writing 

  Diehl, Lindsay (Universidad de Huelva, 2019)

  This paper examines the re-imagining of Chinese Canadian masculinity in Paul Yee’s novel, A Superior Man (2015). Unlike Yee’s previous writing, this novel does not describe Chinese Canadian men as Western Frontier heroes. ...

  

• Sometimes Clocks Turn Back for Us to Move Forward: Reflections on Black and Indigenous Geographies 

  Chambers, Nadine (Universidad de Huelva, 2019)

  In the 1950s two kinds of dispossession in Jamaica and British Columbia occurred through a transnational mining operation and remain in the shape of tailings ponds and a smelter- co-constituting a ‘networked isolation’. A ...

  

• Refusing to Listen and Listening to Refusal: Dialogue, Healing, and Rupture in Green Grass, Running Water 

  Karahkwi:io Diabo, Gage (Universidad de Huelva, 2019)

  In Red Skin, White Masks Glen Sean Coulthard speaks to the asymmetries that plague state-driven attempts at enforcing recognition, reciprocity, and reconciliation with First Peoples communities in post-TRC Canada. Although ...

  

• Port Rupture(s) and Cross-Racial Kinships in Dionne Brand and Lee Maracle 

  Purewal, Tavleen (Universidad de Huelva, 2019)

  This paper examines Lee Maracle’s Talking to the Diaspora and Dionne Brand’s A Map to the Door of No Returnfor their respective responses to the Komagata Maru in 1914 and to the Chinese migrants denied entry in 1999. These ...

  

• Indigenous modernism: dehabituating reading practices 

  Reddon, Madeleine (Universidad de Huelva, 2019)

  This paper experiments with formal style as a way of working through the literary discipline’s lacunae regarding aesthetic value, race, and coloniality. Using a “counter taxonomy” as an example of academic dissent, this ...

  

• Counterclockwise. Special issue edited by Larissa Lai, Neil Surkan, and Joshua Whitehead 

  Lai, Larissa; Surkan, Neil; Whitehead, Joshua (Universidad de Huelva, 2019)

  This special issue of Canada and Beyond addresses Canadian/Turtle Island cultural production and seeks non-linear temporalities, modes of kinship building, productive ways of witnessing, and anti-taxonomic frames for ...

  

• Archives Undone: Towards a Poethics of Feminist Archival Disruptions 

  Wunker, Erin E. (Universidad de Huelva, 2019)

  This article uses archive theory and Joan Retallack's notion of the poethical wager to read Rachel Zolf's Janey's Arcadia as an interruption and disruption of the ongoing violences of settler-colonial forms of archival ...

  

• “The best tradition of womanhood”: Negotiating and Reading Identities in Emma Donoghue’s Landing 

  Mikalson, Kaarina (Universidad de Huelva, 2018)

  This article reads Emma Donoghue's 2007 novel Landing as an intersectional romance. The novel's conflict emerges not only from the distance between the two lovers, the Irish flight attendant Síle and the Canadian curator ...

  

• Now I am Become Death”: Japanese and Canadian Industrial Contamination in Michiko Ishimure’s Paradise in the Sea of Sorrow: Our Minamata Disease and Thomas King’s The Back of the Turtle 

  Ganz, Shoshannah (Universidad de Huelva, 2018)

  Canada and Japan share a history of industrial contamination that has resulted in mercury poisoning; the inhabitants of both Minamata, Japan and the Indigenous community of Grassy Narrows, Ontario have suffered from what ...

  

• Controlled Bodies, Mental Wounds: Vulnerability in Mariko and Jillian Tamaki’s Skim 

  Díaz Cano, Coral Anaid (Universidad de Huelva, 2018)

  This paper provides a study of vulnerability in Mariko Tamaki and Jillian Tamaki’s Skim (2008), a graphic novel about Kimberly Keiko Cameron (known as Skim), a Japanese Canadian teenage girl interested in Wicca and struggling ...

  

• Chinatown Children during World War Two in The Jade Peony 

  Liu, Zhen (Universidad de Huelva, 2018)

  In The Jade Peony (1995) Wayson Choy captured vividly the lives of three children growing up in Vancouver’s Chinatown during the 1930s and 1940s when the Depression and the Second World War constituted the social backdrop. ...

  

• The Unsettling Portrayal of Migrant Existence in Rawi Hage’s Urban Fiction 

  Staels, Hilde (Universidad de Huelva, 2018)

  This essay considers the function of the grotesque mode in Rawi Hage’s novels Cockroach (2008) and Carnival (2012). The grotesque is a provocative tool with which Hage draws attention to the predicament of the class of ...

  

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